Espadim 1985

Espadim 1985 • Antique, Period and Vintage Fine Jewelry
• Vintage and Modern Luxury Watches
• Rare Antique Silver
• Objets de Vertu
• Gemologist Appraisers/Valuers
• Buyers

Bulgari BVLGARI BVLGARI Necklace18K White Gold & Onyxwith Original Box and Outer Box Not all icons announce themselves l...
20/05/2026

Bulgari BVLGARI BVLGARI Necklace
18K White Gold & Onyx
with Original Box and Outer Box
 
Not all icons announce themselves loudly.
 
The BVLGARI BVLGARI motif was never about excess—it was about identity. A name, repeated like an ancient coin, asserting presence through precision rather than ornament.
 
Here, the contrast does the work.
Cold, luminous white gold against the absolute depth of onyx. No gradients. No softness. Just clarity.
 
It’s a design that hasn’t needed reinvention in decades.
 
Save this if you believe true luxury doesn’t evolve—it endures.
 

BULGARI Diamond Pendant Necklace18K White Gold, Original Pouch and Box⚪️ available Precision over excess. The BVLGARI BV...
09/05/2026

BULGARI Diamond Pendant Necklace
18K White Gold, Original Pouch and Box
⚪️ available
 
Precision over excess.
 
The BVLGARI BVLGARI disc doesn’t try to evolve—it refines.
A perfect circle. A name, repeated. A surface of pavé diamonds contained, not exaggerated.
 

LAAF returns. And with it, the rare opportunity to encounter objects that were never meant to be ordinary.From May 9–17,...
06/05/2026

LAAF returns. And with it, the rare opportunity to encounter objects that were never meant to be ordinary.

From May 9–17, at Cordoaria Nacional, we will present a new curation of antique and signed jewelry—pieces selected not for volume, but for presence, craftsmanship, and historical relevance.

Emeralds take center stage this year: stones whose value is often misunderstood, where origin, structure, and life within the gem matter far more than superficial perfection. Around them, a broader dialogue unfolds—between periods, techniques, and the enduring question of what makes a jewel truly important.

For those who look beyond the obvious, this is where it begins.

Cordoaria Nacional
9–17 May
15h–21h (Sat until 23h)

Two identical forms.
Two entirely different presences.⚪️🟡 available One in 18K white gold—cool, controlled, almost indus...
04/05/2026

Two identical forms.
Two entirely different presences.
⚪️🟡 available
 
One in 18K white gold—cool, controlled, almost industrial.
The other in 18K rose gold—warmer, softer, with a quiet, organic rhythm.
 
Scheffel-Schmuck’s design doesn’t rely on diamonds to assert itself. The pavé center becomes a point of tension, not dominance—set against a sequence of sculpted gold modules that define the ring’s true identity. Volume over delicacy. Reflection over brilliance.
 
The question isn’t which is better.
It’s which language feels like your own.
 
White or Rose?
 
Save this if you believe metal matters more than stone.
 
•••

Three bangles—or one composition?🟡⚪️🔴 available Crafted in Portugal in 19.2kt gold, this trio resists a fixed identity. ...
29/04/2026

Three bangles—or one composition?
🟡⚪️🔴 available
 
Crafted in Portugal in 19.2kt gold, this trio resists a fixed identity. Yellow, white, and rose move in quiet rhythm, their ribbed structure catching light in intervals rather than flashes. Only four links break the pattern—set with diamonds, deliberately restrained.
 
It’s not excess. It’s control.
 
Designed to flex with the wrist, they can be worn together or separated.
 
How would you wear them?
 

Mid-Century French bombé clip earrings in turquoise, ruby, and diamond, circa 1950s–1960s. At first glance, it’s the col...
27/04/2026

Mid-Century French bombé clip earrings in turquoise, ruby, and diamond, circa 1950s–1960s.
 
At first glance, it’s the color that pulls you in—electric turquoise against deep ruby, interrupted by flashes of diamond. But the real story sits beneath the surface.
 
The structure is deliberate: tightly set cabochons forming a continuous, almost textile-like skin over a domed volume. Not decorative—engineered. This is Paris in the post-war decades, when jewelry became more sculptural, more tactile, more confident.
 
The design language is unmistakable. It echoes the aesthetic developed by Van Cleef & Arpels during the same period with the VCA Bagatelle line—dense pavé, bold chromatic contrast, and a fascination with surface and volume.
 
Turn them over, and another layer appears.
 
A French maker’s mark: “Sté G.”
 
Attributed to Société Georges Richards, a Parisian workshop active from the late 1950s and documented as having produced pieces for Van Cleef & Arpels. A reminder that even the most iconic houses relied on a network of specialized ateliers to bring their designs to life.
 
Unsigned—but not anonymous.
 
The question is: how much authorship does a workshop carry?
 

GIOVANNI FERRARIS RingBlack & Colorless Diamonds | 18K White Gold⚪️ available At first glance, it reads as pure brillian...
25/04/2026

GIOVANNI FERRARIS Ring
Black & Colorless Diamonds | 18K White Gold
⚪️ available
 
At first glance, it reads as pure brilliance. Look closer—and the darkness begins to surface.
 
A bombé dome entirely paved in light, interrupted by rose-cut black diamonds that refuse to disappear. They don’t absorb the brilliance—they structure it. Each one placed not randomly, but deliberately, creating a tension between shimmer and shadow that defines the entire piece.
 
The volume is unapologetic: engineered into a seamless, swelling form that sits low but commands space.
 
 

GUCCI Flora Diamond Earrings18K Yellow Gold | Original Box and Booklets⚪️ available They read as botanical—but the struc...
22/04/2026

GUCCI Flora Diamond Earrings
18K Yellow Gold | Original Box and Booklets
⚪️ available
 
They read as botanical—but the structure tells a different story.
 
Each engraved leaf is sharply cut, almost architectural in its repetition, creating a rhythm that feels controlled rather than organic. Then, at the end, the composition breaks: an articulated floral drop set with diamonds that only fully reveal themselves in motion.
 
Even the marquise at the top feels intentional, like a point of tension rather than decoration.
 
This isn’t softness. It’s precision, disguised as nature.
 
Would you wear them for the movement, or for the workmanship?
 
•••


JAEGER-LECOULTRE “Large Teardrop”1940s-1950s. Pink-on-pink. Oversized for its time—but that’s not what makes it compelli...
20/04/2026

JAEGER-LECOULTRE “Large Teardrop”
1940s-1950s. Pink-on-pink.
 
Oversized for its time—but that’s not what makes it compelling.
 
It’s the way the rose gold case and copper dial dissolve into each other. No contrast, no sharp separation—just a continuous warmth that shifts with the light. The teardrop lugs extend that feeling outward, softening what could have been a conventional round watch into something far more sculptural.
 
There’s restraint here. Even the blued seconds hand feels like a quiet interruption rather than a statement.
 
Many watches try to stand out.
 
This one asks you to look closer.
 
Save this if subtlety matters more than impact.
 

KUTCHINSKY Ruby and Diamond Bracelet18K Yellow Gold, London, 1963⚪️ available There’s a moment in mid-century jewelry wh...
18/04/2026

KUTCHINSKY Ruby and Diamond Bracelet
18K Yellow Gold, London, 1963
⚪️ available
 
There’s a moment in mid-century jewelry when gold stops behaving—when it begins to move, ripple, and assert itself. This is that moment.
 
Each link is deeply worked, almost molten in character, wrapping around itself in a continuous rhythm of texture and light. Bands of vivid rubies and round brilliant-cut diamonds punctuate the surface, not as decoration, but as structure—guiding the eye along a deliberate, undulating cadence.
 
Save this if 1960s jewelry speaks to you.
 

Endereço

Amoreiras Shopping Center/Avenida Eng. Duarte Pacheco, Loja 2011
Lisbon
1070-103

Horário de Funcionamento

Segunda-feira 10:00 - 23:00
Terça-feira 10:00 - 23:00
Quarta-feira 10:00 - 23:00
Quinta-feira 10:00 - 23:00
Sexta-feira 10:00 - 23:00
Sábado 10:00 - 23:00
Domingo 10:00 - 23:00

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