Bhuramal Rajmal Surana Jaipur

Bhuramal Rajmal Surana Jaipur Since 1735, the Bhuramal Rajmal Surana family business is synonomous with the art of Kundan and Meena Jewellery

Heritage meets opulence. Bhuramal Rajmal Surana continues to evolve through a language of design shaped by Rajasthani ar...
18/05/2026

Heritage meets opulence.

Bhuramal Rajmal Surana continues to evolve through a language of design shaped by Rajasthani artisanship, refinement and timeless intent.

For bespoke creations, private appointments and personalised consultations, we welcome you to connect with us.

Reach out via DM to begin your journey with Bhuramal Rajmal Surana

[ Bhuramal Rajmal Surana, Polki, Meenakari, gold jewellery, Indian heritage jewellery, regal jewellery, Opulence, grandeur , legacy, craftsmanship, Indian craftsmanship]

Paradise, rendered into enamel. Meenakari has long been spoken of as a surface where paradise finds expression. The idea...
12/05/2026

Paradise, rendered into enamel.

Meenakari has long been spoken of as a surface where paradise finds expression. The idea traces back to Persian notions of the garden, an enclosed world of abundance, symmetry, and eternal bloom. As this vision travelled into India through royal ateliers, it found a new language in ornament.

Under Mughal patronage, Meenakari flourished as gold became a canvas for colour. Enamel brought to life delicate vines, flowering motifs, and intricate symmetries inspired by charbagh gardens,each element echoing a vision of harmony, beauty, and stillness found in poetry and miniature paintings.

Every piece carries this sensibility forward, where craft holds within it a landscape of colour and memory. A world rendered in detail, shaped by time and hand.

To wear Meenakari is to wear a vision of paradise.


[Indian heritage jewellery, Meenakari, Paradise, Regal jewellery, Persia, Gardens, Enamel, Luxury, Indian craftsmanship, Artisans, Meena artisans, Rajasthan, Jaipur, Bhuramal Rajmal Surana, Gold jewellery, Polki, Jadau, Craft]

Paradise, rendered into enamel. Minakari has long been spoken of as a surface where paradise finds expression. The idea ...
12/05/2026

Paradise, rendered into enamel.

Minakari has long been spoken of as a surface where paradise finds expression. The idea traces back to Persian notions of the garden, an enclosed world of abundance, symmetry, and eternal bloom. As this vision travelled into India through royal ateliers, it found a new language in ornament.

Under Mughal patronage, minakari flourished as gold became a canvas for colour. Enamel brought to life delicate vines, flowering motifs, and intricate symmetries inspired by charbagh gardens,each element echoing a vision of harmony, beauty, and stillness found in poetry and miniature paintings.

Every piece carries this sensibility forward, where craft holds within it a landscape of colour and memory. A world rendered in detail, shaped by time and hand.

To wear minakari is to wear a vision of paradise.


[ Bhuramal Rajmal Surana, Meenakari jewellery, Paradise, Persia, Enamel, Colours, Motifs, Polki, Jadau, Craft, Indian craftsmanship, Artisans, Jewellery making, Indian heritage jewellery, Quiet luxury, Handmade ]

An 18k gold necklace in peacock blue meenakari, centred with a lotus motif, created to feel timeless, light, and easy to...
10/05/2026

An 18k gold necklace in peacock blue meenakari, centred with a lotus motif, created to feel timeless, light, and easy to wear across generations. Paired with a turquoise damru-shaped pendant with uncut diamonds and South Sea pearls.

Captured by
Styled by
Worn by
Saree by .in

We invite you to reach out to us for further information

04/05/2026

A new visual language is unfolding in a vibrant play of colour. While our identity embraces a more contemporary mood, our heritage and jewellery remain grounded in their roots, shaped by the architecture, culture and visual landscape of Rajasthan. Traditional arches and ornamental forms are being reimagined to celebrate a legacy that will continue to evolve with us. Stay tuned to discover how this unfolds.

Red, green, white, and blue.Four colours that form the foundation of meenakari. Each hue is carefully prepared using pow...
30/04/2026

Red, green, white, and blue.Four colours that form the foundation of meenakari. Each hue is carefully prepared using powdered glass pigments and applied onto engraved metal surfaces, then fired repeatedly to achieve depth, clarity, and permanence. With every round of firing, the colours settle and intensify, creating a surface that is both luminous and enduring. The process demands patience and precision, as balance is achieved not through excess, but through control, resulting in a palette that holds both vibrancy and restraint, rooted deeply in tradition yet refined over generations of craft.

Set in 14K gold, this necklace brings together emeralds and polki through a process guided by care and attention. Each e...
17/04/2026

Set in 14K gold, this necklace brings together emeralds and polki through a process guided by care and attention. Each element is formed and joined with precision, shaping a piece that feels considered in every detail.

What defines this piece is not just its structure, but the feeling it holds, of balance and harmony, where each part finds its place with an instinctive ease.

We invite you to enquire for further details.

The first image features a head ornament in the “Mehri” design, worn with the Tikka and Nath, placed at the centre of th...
07/04/2026

The first image features a head ornament in the “Mehri” design, worn with the Tikka and Nath, placed at the centre of the forehead, where, according to the Vedas, the “Ajna Chakra” resides, associated with awareness and clarity. In this placement, the Maang tikka comes to signify focus, balance, and a sense of inner alignment.

The second image features “Patla” bangles, known for their solid, structured form. In many parts of India bangles are believed to have spiritual significance, their circular shape reflects continuity and the cyclical nature of life, while the gentle sound they create is often linked to a sense of positive rhythm.

Together, these elements extend beyond ornamentation, carrying both form and meaning.

Enquire with us to discover more.

Some designs stay with us, unchanged.The “Patla” is one such form, carried forward over time. Known for its structure an...
05/04/2026

Some designs stay with us, unchanged.

The “Patla” is one such form, carried forward over time. Known for its structure and presence, it remains one of the more enduring designs within our practice.
These bangles are finished with desi meenakari in the “Pachranga” style, where multiple colours come together within a single composition.

Each section is filled and fired separately, allowing the colours to settle with clarity and depth. The enamel work alone can take between 10 to 15 days to complete. Built gradually, layer by layer, with careful control at every stage.

For enquiries and further details, we invite you to connect with us directly.

03/04/2026

In the “Pachi” style of setting, each stone is placed by hand, shaped to sit seamlessly within gold, without the use of prongs. The surface remains uninterrupted, allowing the material and form to come together with a certain quiet precision.

In this piece, the polkis are set using this traditional technique, one we have worked with closely over the years. Each uncut diamond is secured with care, held in place in a way that allows its natural form to remain undisturbed.

The emerald is cut specifically for this composition, shaped to its exact requirement so that every element aligns from the outset.

For enquiries and further details, we invite you to connect with us directly.

Meenakari was never limited to jewellery, it extended into objects of use, status, and ceremony.In the second image, we ...
01/04/2026

Meenakari was never limited to jewellery, it extended into objects of use, status, and ceremony.

In the second image, we see enamel work on a sword handle and the mounts of a scabbard (the decorative metal fittings on a sword’s sheath). These were not merely ornamental additions. In royal courts, even weapons were treated as objects of design, where enamel brought together durability and intricate surface detail, often using florals, birds, and symbolic motifs.

The third image shows an ornament worn on the side of the head alongside a handle of a fly whisk, traditionally used in royal and ceremonial settings.

The fourth image shows epaulets, which are decorative shoulder pieces, depicted with enamel work. While often associated with military or court attire, these pieces were also used in ceremonial dress, where enamel added colour and refinement to garments of rank and distinction.

The final image shows a sarpech, a turban ornament worn by royalty. Beyond its visual presence, the sarpech was a marker of identity and hierarchy.

Image source : “Jeypore enamels” by S.S. Jacob & T.H. Hendley

Address

B-4E, Prithviraj Road. Opp Central Park C-Scheme
Jaipur
302001

Opening Hours

Monday 10am - 7:30pm
Tuesday 10am - 7:30pm
Wednesday 10am - 7:30pm
Thursday 10am - 7:30pm
Friday 10am - 7:30pm
Saturday 10am - 7:30pm

Telephone

+911414018401

Website

Alerts

Be the first to know and let us send you an email when Bhuramal Rajmal Surana Jaipur posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Bhuramal Rajmal Surana Jaipur:

Shortcuts

Share

Category