Tamara Gomez Jewellery

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Tamara Gomez Jewellery

Jeweller of molten-set rough diamonds and sapphires, handmade in London. One-of-a-kind engagement rings, meaningful gifts, and soulful commissions.

Designed with intention, crafted with care since 1997. Rooted in creativity and artistry, Tamara Gomez designs bewitching fine jewellery for anyone who feels a connection to the magic and beauty of the earth. Designed to celebrate curiosity and wonder, each piece captivates with distinctive details. Uncut diamonds and ethereal gemstones are set in an organic and textural style reminiscent of the e

arth from which they came. Rough diamonds call to those who find beauty in individuality. Tamara Gomez transforms precious stones into captivating fine jewellery inspired by the magic and spirit of the world. Each piece is unique in every detail, soulful fine jewellery for people who are like no other. Designer Tamara’s intuitive and personal process makes commissioning bespoke jewellery a joy. Connecting over stories and sentiment, your uniquely designed and hand-crafted jewellery will be filled with spirit. Whether a gift for self-celebration or engagement and wedding rings, every piece is crafted with wonder and love.

01/06/2026

I currently live in a warehouse with 6 other women.

It can be crazy, but it is proving to be a valuable experience in so many ways.

Last night one of my housemates and I did some painting together.

While painting, we talked for hours about life, death, outer space and everything in between.

I was showing her some of my previous watercolour paintings and she told me they reminded her of Petri dish art (who knew such a thing existed?) and then showed me some pictures.
(She’s studying neuroscience.)

And I instantly fell in love with these painterly, out of this world colourful domains made up of bacteria and mould.

So I decided to paint some studies inspired by them.

I’m currently researching for a new collection I am launching in September called The Artist’s Palette, so I feel it’s timely that Petri dish art has come into my life.

FYI is the queen of Petri dish art.

29/05/2026

The new collection is now online.

This update brings together a selection of new rings, pendants and bangles, including molten set pieces, one of a kind works and new additions to my Sequin collection.

Alongside some familiar materials and textures, there are also new colour explorations, including larger watercolour sapphire pendants and raw sapphires paired with rough diamonds.

All pieces are now available through my website.

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26/05/2026

A few new watercolour sapphire jewels arriving online this Friday at midday.

Larger sequin pendants and a small number of one of a kind single earrings in gold and sapphire.

21/05/2026

A few new jewels slowly coming together in the studio for next week’s shop update.

Molten set raw sapphires, watercolour sapphires, rough diamonds and hand carved textures.

Pieces exploring colour, asymmetry and the quiet irregularities I’m always drawn to.

More soon.

In Brighton today for the gemstone fair and looking forward to ogling some gems!

18/05/2026

Earlier this month I went back to school, so to speak, and spent a day with the brilliant Stephen Barnett refining and troubleshooting some of my stone setting techniques.

Despite having worked as a jeweller for many years, I’ve always believed there is still more to learn and refine.
One area I’ve been particularly focused on is setting rough gemstones, especially rough diamonds, which is something I want to explore more deeply within my work.

These two rough diamond solitaire rings were made during the session.
What appears simple is often anything but.
Setting rough stones well requires sensitivity, control and a great deal of technical problem solving.

Since then I’ve continued practising in the studio and so far I don’t have anything more I am happy sharing as yet, but that’s part of the process.

I know this is a technique that will continue to evolve slowly through time, repetition and practice.

07/05/2026

A bespoke engagement ring

This ring was made as a bespoke commission for a client looking for something alternative.

We chose a combination of Sri Lankan sapphires and a rough diamond, working together to select stones that felt right for the piece.

The sapphires were cut for me in Sri Lanka by artisan stone cutters I’ve been working with for a number of years. Each stone has its own character, and the design evolved around them.

This piece was remade during the process to refine the construction and get it exactly right.

That’s often part of bespoke work, taking the time to adjust, rethink and improve until the piece feels resolved.

I’m always drawn to stones that feel slightly irregular, with a sense of texture and individuality.For me, that’s where the interest lies.

If you’re looking for an alternative engagement ring, or would like to explore a bespoke commission, you can find more examples of my work through the link in my profile.

28/04/2026

A story on remodelling jewellery

This pair of earrings began life very differently.
We kept the top section and reworked the rest into something new.

The new design was inspired by my sequin collection, giving the earrings a softer, more fluid movement.

Remodelling isn’t just about melting things down and starting again.�Sometimes it’s about recognising what still works, and building around it.

There’s something very satisfying about taking an existing piece and giving it a new life, keeping part of its history while allowing it to evolve into something more wearable and more personal.

Each remodelling project is different, but the process always starts with looking closely at what’s already there, and what it could become

22/04/2026

Reflections on molten setting…

Recently, while teaching my signature molten setting method at
I had some really interesting conversations with my students about this way of setting stones.

We talked about why it isn’t the ‘golden ticket’ people often think it is and why it won’t, on its own, build a sustainable business.

It’s a beautiful and intuitive method, but there is a failure rate.�Stones can break, metal can behave unpredictably, and it takes time, repetition, and judgement to understand what will actually work.

And as more and more jewellers are working this way, it’s becoming harder to stand out if this is all you do.�You only have to look at social media to see how saturated this way of working is becoming.

If this is the only thing you’re making, it’s worth asking how that will support you long term.

I go into this in much more detail with my students when I teach.�Not just how to do it, but the realities behind it, the failures, the limitations, and how to work with them.
Because this method is nuanced. It’s intuitive.�And it comes with a learning curve that you only really understand through experience, something I’ve developed over 15 years since I started setting some of my gemstones this way.

When I teach it in person, I’m not just showing the process. I’m sharing the pros and cons, and the decisions behind it, drawing on over 30 years of working as a jeweller.

I also know there’s a perception that I’m moving away from this technique. I’m not.�But I am evolving it, developing my designs further and pushing the work in new directions.
That takes time, and it’s something I’ll be working on over the coming months.

This is my signature method, and I still use it in my own work.�But like anything, it’s only one part of building a sustainable, long-term jewellery practice.

16/04/2026

One more jewel for The Golden Key showcase at The Forge Space in Hatton Garden.
The private view is tonight and I look forward to seeing some of you there.

This one of a kind bangle has been slowly evolving over the past couple of months, and I’ve only just finished it in time for the showcase.
Set with sapphires and a rough diamond, and shaped intuitively in sterling silver, it feels like a natural continuation of the work I’ve been exploring, allowing the piece to find its own form through the making.
After I posted a story on some copper bangle experiments I made last week, I’ve had quite a few of you ask about bangles recently, so this is something I’ll be returning to and developing further.
Now on show as part of The Golden Key showcase The Forge Space in Hatton Garden.

📆 Showcase dates: 27 March to 28 April�⏰ Visit: Monday to Friday, 10am to 6pm�📍 FORGE, 59 Leather Lane, London EC1N 7TJ

Address

The Buckle Factory , 3 Gourley Place
London
N155NF

Website

http://www.tamaragomez.com/

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