Tamara Gomez Jewellery

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Tamara Gomez Jewellery

Jeweller of molten-set rough diamonds and sapphires, handmade in London. One-of-a-kind engagement rings, meaningful gifts, and soulful commissions.

Designed with intention, crafted with care since 1997. Rooted in creativity and artistry, Tamara Gomez designs bewitching fine jewellery for anyone who feels a connection to the magic and beauty of the earth. Designed to celebrate curiosity and wonder, each piece captivates with distinctive details. Uncut diamonds and ethereal gemstones are set in an organic and textural style reminiscent of the e

arth from which they came. Rough diamonds call to those who find beauty in individuality. Tamara Gomez transforms precious stones into captivating fine jewellery inspired by the magic and spirit of the world. Each piece is unique in every detail, soulful fine jewellery for people who are like no other. Designer Tamara’s intuitive and personal process makes commissioning bespoke jewellery a joy. Connecting over stories and sentiment, your uniquely designed and hand-crafted jewellery will be filled with spirit. Whether a gift for self-celebration or engagement and wedding rings, every piece is crafted with wonder and love.

22/07/2026

A little preview…

Before I moved studios, I made a small batch of new jewels that will be going online next week, including these one of a kind earrings.

Featuring lilac and fuchsia watercolour sapphires suspended from my signature sequin style fittings, I love how each stone captures soft washes of colour, almost like brushstrokes on paper.

They’ll be joining the website next week alongside a small selection of other new pieces. I can’t wait to share them with you.

16/07/2026

A little studio update…

If you’ve been following my Stories recently, you’ll know I’ve been in the middle of moving into a new jewellery studio.

Moving a jewellery workshop is very different from moving an office. Every machine, tool, bench, drawer and piece of equipment has to be carefully packed, transported and set up again before I can get back to making.

It’s been a huge job, both physically and mentally, but little by little the new studio is starting to come together.

I’m looking forward to getting back to the bench, finishing some exciting commissions and sharing new work with you over the coming weeks.

Thank you for sticking with me while things have been a little quieter than usual. I can’t wait to show you what’s next.

09/07/2026

Not every bespoke commission begins with a finished design, sometimes it begins with a conversation.

If you’ve been following my Stories this week, you’ll know I’m in the middle of moving studios.
Moving a jewellery workshop is a little different to moving an office.

Every tool, machine, bench and piece of equipment has to be carefully packed, transported and set up again, so my making is on pause for a short while as I rebuild my workspace.

Just before I started packing, though, I had two great meetings with clients about new commissions.

One of them was a jewellery remodelling project, and one of the design directions I suggested was this Spear Ring.

Although many people think it’s inspired by a leaf, it actually began with the shape of a spear, hand forged from round wire and wrapped back around itself.
For me, the design has always represented strength, resilience and moving forward.

The commission itself marks a fresh start for my client, which is why this design immediately came to mind.
Whether it becomes the final piece or simply helps us explore ideas together, that’s one of the things I enjoy most about the bespoke process.

I’ll share more of this story as the commission develops.

06/07/2026

From old gold to a bespoke ring.

Every jewellery remodel begins with an idea.
For this commission, my client asked me to transform their own gold into a substantial, sculptural ring for their partner.

I began by hand carving the design in wax before it was cast using their gold and carefully finished in my London workshop.

I love jewellery remodelling because it gives precious materials a new purpose.

The gold carries its own history, but the finished piece is entirely new, made specifically for the person who will wear it.

If you have unworn or inherited jewellery and have been wondering what it could become, I’d love to hear your ideas.

25/06/2026

A little burst of summer colour.
A mini drop of Watercolour Sapphire Sequin jewels.
These three have now sold out, but more are coming soon very soon.
Each sapphire is completely unique, with its own mix of unexpected flashes of colour.
No two are ever quite the same.
Simple and easy to wear, but full of personality.

20/06/2026

This platinum and white sapphire ring recently came back to the workshop for a little TLC.
It was originally commissioned to celebrate a wedding anniversary and features my signature Omega ring shank, a form that has appeared in my work for well over a decade.

Although this ring has the feel of my molten style settings, platinum requires a completely different approach. So over recent years I’ve developed ways of creating the same organic, sculptural aesthetic in platinum while staying true to the character of the metal.
It was lovely to see this ring again and spend some time with it at the bench.
Made in platinum with a white sapphire.

18/06/2026

The Omega ring shank.

I’ve been making this ring shape in my work for over a decade in silver, various carats of gold and platinum.

I forge, form and file each one by hand.

It’s time consuming and I often wonder why I don’t just cast these but there is something very satisfying about making each one by hand from wire stock or using my clients own metal.

I use this shape in my rough diamond collection, many of my rings and my abacus rings.

And for all you pedants out there, this is the omega shape reversed, also known as an Upsilon in Latin, but it doesn’t have quite the same ring to it does it?

Pardon the pun!

11/06/2026

The return of my signature Rough Diamond Collection.

Work in progress.

Sterling silver, rough diamonds and a few old favourites finding their way back onto the bench.

The collection will be returning in silver, gold and mixed metals.

More to come.

08/06/2026

One of the things I’ve been focusing on this year is improving my stone-setting skills, which means a great deal of experimenting, making mistakes and learning from them. I am also learning the art of patience!

So now I often make something simply to test a technique, make notes, and then take the jewel apart again.
I might do that several times until I’m happy with the result.It can be time consuming, but it’s valuable.

One of the challenges of setting rough gemstones is preventing them from rocking in the setting.
The sapphire crystal ring was an experiment to solve this.This prototype tested a new approach and, although it still needs much more refining, the technique worked.I will take the sapphire ring apart and make it again. And perhaps again after that.

The rough diamond ring taught me an important lesson about over-refining.
I set the stone, but in trying to clean up and perfect the ring afterwards, I removed too much metal in places, weakening the ring both physically and aesthetically.

This is what learning looks like.

03/06/2026

Some stories seem impossible until you look back and trace the threads.

When Walae and Jameel commissioned their wedding rings, they described themselves as being intertwined.

Although they spent much of their engagement living on opposite sides of the country, they kept discovering ways their lives had crossed long before they met.

As Walae told me:
"We realised that at different points in our travels we were in the same places at the same times. We had many mutual friends, frequented similar museums and cafés, and even discovered that my mum's long lost first cousin was his mum's best friend."

Years ago, I created a simple entwined ring as a symbol of connection.
Later, a client asked me to reinterpret the design as a snake, bringing a new layer of symbolism to the piece.

For Walae and Jameel, it felt like the perfect fit.

I hand-crafted these wedding rings in platinum and 18ct yellow gold, each set with a diamond.
Similar, but not identical. Separate pieces connected by a shared story.

One of the things I love most about bespoke work is watching an idea evolve over time, eventually finding the people it was meant for.

Address

Studio 8, Building 28 7 Fountayne Road London
London
N154QL

Website

http://www.tamaragomez.com/

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