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Hi we are dealing in Antiques and gemstones from 1970 we have every period items belong to Pakistan and Afghanistan regions you are free to ask any information just inbox us

17/02/2026

Indus civilisation weight stones 8 pieces. Big sizes is 31 mm and smaller is 8 mm available for now

14/02/2026

Indus civilisation seal human inscription

Circular Bronze Mirror with Zoomorphic ReliefMaterial: Bronze (mirror disc); Approximate Date: c. 11th–14th century CEPe...
25/12/2025

Circular Bronze Mirror with Zoomorphic Relief
Material: Bronze (mirror disc);
Approximate Date: c. 11th–14th century CE
Period: Medieval Period
Region: Afghanistan
Function: Used primarily for personal grooming, while its decorated reverse indicates symbolic, protective, and status-related significance.

This circular bronze mirror features a flat reflective surface on the obverse and a richly decorated reverse cast in low relief. The reverse depicts stylized animal figures, possibly a horse-like creature and another quadruped, arranged symmetrically around a central vertical motif composed of raised oval elements. Above the central motif are two large looped forms, which may represent abstracted horns, celestial symbols, or protective emblems. The animals are rendered in a lively, schematic style characteristic of medieval Islamic metalwork, where zoomorphic imagery often carried symbolic or apotropaic meaning.
The mirror is attached to a cylindrical handle, likely made of bone, wood, or ivory, reinforced with metal collars and terminating in a small perforation for suspension. The surface shows a green patina consistent with aged bronze, indicating prolonged burial or long-term use. Such mirrors were not only functional objects but also conveyed cultural beliefs related to protection, power, and cosmic order.

BronzeArt CastBronze Metalwork AncientMetal IslamicMetalwork MedievalArt IslamicArt MedievalIslamic MiddleAges CentralAsianArt IranianArt PersianArt IslamicWorld ZoomorphicArt AnimalMotifs SymbolicArt Apotropaic RitualObjects MuseumObject MuseumCollection ArchaeologicalFind CulturalHeritage

Bronze Mirror with Female Figure Bearing a Solar DiscMaterial: Bronze,Period: Medieval:Approximate date: 9th – 13th cent...
24/12/2025

Bronze Mirror with Female Figure Bearing a Solar Disc
Material: Bronze,
Period: Medieval:
Approximate date: 9th – 13th century CE.
Region: Afghanistan
Function: Likely used in rituals or ceremonies, this bronze mirror featuring a female figure with raised arms and a circular disc may symbolize a deity, priestess, or solar power, serving as a cult standard, votive offering, or emblem of fertility and protection.

This bronze mirror features a stylized standing female figure supporting a large circular disc above her head. With raised arms and outward-facing palms, the figure conveys a ritual or protective gesture. Her calm, almond-eyed face and elaborate headdress emphasize the disc, suggesting solar or celestial symbolism. The elongated body, indicated breasts, and narrow waist highlight her femininity, while the cylindrical base allows it to stand. A greenish patina indicates age. The form and iconography suggest a ceremonial function, possibly linked to fertility, solar worship, or protection.
AncientBronze ReligiousIconography CeremonialObject FertilitySymbolism Metalwork SacredArt MuseumCollection AncientArt AncientArtifacts History BronzeAge AncientCivilizations MuseumObjects CulturalHeritage BronzeSculpture RitualArt ReligiousArt SolarSymbol GoddessFigure AncientReligion ArtHistory WorldHistory AncientWorld

Byzantine Terracotta Incendiary Hand Gr***deMaterial: Terracotta (fired clay)Period: Medieval period Region: Afghanistan...
24/12/2025

Byzantine Terracotta Incendiary Hand Gr***de

Material: Terracotta (fired clay)
Period: Medieval period
Region: Afghanistan
Approximate Date: c. 9th–13th century CE
Function: It served as a small explosive container used to throw burning material at the enemy during warfare.

This Byzantine hand gr***de is crafted from terracotta, formed into an elongated, ovoid body that tapers to a subtle point for ease of handling and throwing. The upper section features a rounded k**b with a small circular opening, interpreted as the filling or fuse aperture through which the incendiary substance was introduced. Decorative bands with lightly incised, petal-like motifs and parallel grooves encircle the upper portion, combining utilitarian design with simple ornamentation. The surface displays natural firing variations, minor abrasions, and age-related weathering typical of medieval ceramic objects. Terracotta gr***des of this type reflect the innovative military technology of the Byzantine Empire.

***de IncendiaryWeapon StoneGr***de CeramicGr***de HistoricalArtifact MedievalWeapons ByzantineArchaeology AncientTechnology MuseumCollection

Aquamarine Chess Piece (Pawn)Location: Afghanistan Weight: 29.17 g Dimensions: Height 30 × 27 mm (3 × 2.7 cm)This hand-c...
25/11/2025

Aquamarine Chess Piece (Pawn)
Location: Afghanistan
Weight: 29.17 g
Dimensions: Height 30 × 27 mm (3 × 2.7 cm)
This hand-carved aquamarine piece, sourced from Afghanistan, was crafted for use in a chess game. Shaped from a natural blue beryl crystal, it displays a soft translucent hue with natural inclusions that enhance its mineral character. The rounded, dome-like top and gently faceted sides suggest it functioned as a stylized pawn or similar game piece. Despite its gemstone origin, the carving shows intentional shaping and smoothing, giving it a balanced weight and solid feel suitable for gameplay.

Terracotta Female FigurineMaterial: TerracottaCulture/Period: Hellenistic Approximate Date: ca. 322 -1st century BCERegi...
24/11/2025

Terracotta Female Figurine
Material: Terracotta
Culture/Period: Hellenistic
Approximate Date: ca. 322 -1st century BCE
Region: Ancient South Asia (present-day Pakistan/Northwest India)
Function: Functioned as household cult objects and votive offerings, representing feminine beauty and divine presence through naturalistic body modeling, elegant poses, expressive facial features, and richly detailed drapery. Their elaborate hairstyles, accessories, and originally painted surfaces further enhanced their aesthetic and symbolic appeal in domestic and religious settings.
This terracotta figurine represents a standing female figure with an elongated and highly stylized body. The head is topped with an elaborate coiffure composed of large rounded coils arranged in a symmetrical, fan-like formation. Natural white patination has settled into the incised grooves across the hair, enhancing its textured and decorative appearance.
The rounded face displays prominent almond-shaped eyes, a narrow nose, and faint facial contours, all subtly highlighted by the same whitish patina. The neck and upper torso feature dense incised ornamentation that resembles layered necklaces, circular elements, and patterned bands extending across the shoulders. Raised and carved features define the chest, where the patination further accentuates the linear details.
The lower body tapers into a long, column-like form with a clearly incised triangular motif between the legs; likely indicating the p***c area. Additional horizontal and vertical incisions near the thighs and waist hint at body decoration or garment markings. On the reverse, the hairstyle continues downward in long vertical incised strands, again emphasized by white patination. The back of the torso shows further incised detailing around the waistline, reinforcing the decorative focus of the sculpture.

20/11/2025

Prehistoric Ground Stone Tools (Hand Axes / Chisels)
Material: stone
Region: Mohmand Agency
Approximate Date: Neolithic period (C. 7000–3000 BCE),
Function: These tools were used for chopping, cutting, and carving; mainly for woodworking tasks.
These two elongated stone tools, likely hand axes or chisels; were shaped through grinding and pecking techniques commonly used in prehistoric periods.
Left Tool:
Made from sand stone, it has a roughly triangular form with a wider top and gently tapered lower end. The surface is textured, indicating minimal polishing and a utilitarian purpose such as chopping or woodworking.
Right Tool:
Crafted from a (Jade/Serpentine) greenish stone, this piece is more finely finished with smoother surfaces. It has a rounded, broad cutting end that narrows toward the butt, suggesting use as a polished axe or chisel for more precise tasks.
Both tools exhibit the characteristic weight, symmetry, and wear patterns associated with early woodworking, cutting, or shaping activities. They reflect the technological skills of prehistoric communities who relied on durable stone implements for daily tasks.

Indus Valley “Unicorn” SealMaterial: SteatiteApproximate Date: Circa 2500–2000 BCECulture: Indus Valley CivilizationRegi...
18/11/2025

Indus Valley “Unicorn” Seal
Material: Steatite
Approximate Date: Circa 2500–2000 BCE
Culture: Indus Valley Civilization
Region: Harappan

This finely carved square steatite seal depicts the iconic Harappan “unicorn,” shown in profile facing left. The creature is rendered with a prominent, elongated horn, a clearly defined ear and rounded eye, and finely carved linear markings along the neck, emphasizing its stylized anatomy. Its beautiful long tail curves gently downward, adding grace to the overall form.
In front of the unicorn stands a ritual offering table, a characteristic element of many Indus seals, suggesting ceremonial or symbolic associations. Above the animal appears a sequence of Indus script signs, including a distinctive bird-shaped symbol, carved with sharp precision in the typical Harappan style.
The seal surface exhibits natural mineral patination and ancient cracking, consistent with fired steatite. This example reflects the artistic refinement and symbolic complexity of Indus Valley administrative and ritual traditions.

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