09/09/2026
🦅 「素直」 —— 不分左右的羽毛 🪶
鷲見太郎在自己五十二歲生日這天
完成了為 vinavast 而作的作品
Happy birthday to TaroWashimi
日文裡「素」是不加修飾的本質
「直」是不彎曲、不矯飾。
職人世界裡，這兩個字往往比技巧更早被提起—— 心若不素直，手再巧，也只會留下習氣
「鷲見的羽毛，一向有左右
01 與 02，像飛行時兩側的風切。
「素直」卻不分左右。
不是少了一面，是不再需要站邊。
坦然、完整、不偏不倚。」
這枚羽毛不是為了慶祝而做的作品，
更像一份在生日當下寫下的回信。
五十二年的路——
從立川的畫室與琴聲，
到東南亞路上那些用雙手養活一家的人，
再到夜裡敲銀、白天養家，
把 Native American 的技法，慢慢變成自己的語言。
他一路走來，最難得的不是名聲，
是始終沒有把心走彎。
羽毛在鷲見的世界裡，從來不只是外觀。
它是風切，是飛行，
是自然裡那些看不見、卻能被感覺到的力量。
這一次，他沒有堆疊更繁複的故事，
只把「素直」兩個字放進去：
坦然、正直、不偽裝。
像他一直對作品的要求——
從哪個角度看，都該是完整的。
像他一直對人的要求——
連接，而不是表演。
vinavast 與鷲見太郎同行多年，
由開始到現在
我們看過他一鑿一鑿把銀板變成羽脈，
也看過他在工房裡，安靜地對自己苛刻。
這枚為我們而生的羽毛，
不是商品序號裡的下一件，
而是他把生日這一天，分了一半給這段緣分。
「素直」系列由此展開
謝謝你 #鷲見太郎
此系列將全部邀請制發售
Taro Washimi completed this piece for Vinavast on his fifty-second birthday.
Happy birthday to Taro Washimi.
In Japanese, 素 is essence without ornament.
直 is unbent, unadorned.
In the craftsman’s world these two characters are often spoken before technique — if the heart is not sunao, even the most skillful hands leave only habit.
“Washimi’s feathers have always had a left and a right —
01 and 02, like the wind-cut on either side of flight.
素直 takes no side.
It is not missing one wing. It no longer needs to stand on one.
Open, whole, without leaning.”
This feather was not made to celebrate.
It reads more like a letter written on the day itself.
Fifty-two years of road —
from the studio and piano in Tachikawa,
to the people on Southeast Asian streets who fed a family with their hands,
then striking silver at night and supporting a household by day,
slowly turning Native American technique into a language of his own.
The rarest thing he carried was never reputation.
It was that he never let the heart bend.
In Washimi’s world a feather has never been only surface.
It is wind-cut. It is flight.
It is the force in nature that cannot be seen and can still be felt.
This time he did not stack a more elaborate story.
He placed only the two characters 素直:
candid, upright, unfeigned.
The same demand he has always made of a piece —
complete from every angle.
The same demand he has always made of a person —
connection, not performance.
