velvet_castle

  • Home
  • velvet_castle

velvet_castle Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from velvet_castle, Jewelry/Watches, .

Meet Harriet the tortoise by  . Inspired by Charles Darwin's Harriet, this piece features a beautifully carved citrine s...
19/05/2026

Meet Harriet the tortoise by . Inspired by Charles Darwin's Harriet, this piece features a beautifully carved citrine shell and an en tremblant mounted head set with a stunning antique pear-shaped diamond, with eyes set with pear-shaped emeralds!

En tremblant mounting is extremely rare in contemporary pieces which makes Harriet even more special. 🐢

My first reaction to the technology-as-jewellery project was "This is scary!" and oops, I made that comment to someone f...
14/05/2026

My first reaction to the technology-as-jewellery project was "This is scary!" and oops, I made that comment to someone from the bank who happened to stand right next to me. I'm sure he wasn't thrilled, but he hid it well.

But let me explain. Jewellery is just jewellery, and I personally love it that way. It's about craft, materials, gemstones, creativity, design, pleasure, emotions, stories, history; it's a way to express ourselves. It's as old as humanity, from the first beads to today's refined pieces. And yes, jewellery changed enormously through history, but it always remained expression, never essential utility. The brooch evolved from a functional clasp into an object of beauty and self-expression. Embedding technology strips all of that away and adds utility. And when something becomes utility, it's no longer a pleasure, no longer a story, no longer a luxury, no longer special, it becomes a need.
We can't leave home without it because we need it to pay for our coffee. The jewellery serves the utility, not the other way around. It reduces the piece to its transactional purpose. That takes away everything jewellery is. So… a big no from me. And I'm really curious to hear other opinions.

My initial reaction aside, it was a challenging concept and the results were incredibly fascinating and creative! Necklaces, buttons, brooches, bracelets, even tattoos, all essentially functioning as your bank card.

This was the first of 'TWO WAYS OF MAKING: BAJ Live Projects with Zopa Bank & David Michael Jewels' at

The second way was a collaboration with , where students were challenged to create jewellery inspired by emotion using traditional techniques. Love this concept! This was really interesting because it's not easy to express emotions through jewels. There was an interactive wall where visitors were invited to guess which emotion each piece represented.

Well done to all participants! It's always wonderful to see students' work and the fresh perspectives and approaches they bring to jewellery.

06/05/2026

The iconic VCA Zip necklace was suggested by the Duchess of Windsor, designed by Renée Puissant and was a decade in the making. Van Cleef & Arpels spent ten years perfecting the mechanism so the zipper would function flawlessly.

It can be worn as a necklace or zipped up and transformed into a bracelet. It remains one of the most celebrated pieces in jewellery history.

This coral, chrysoprase and diamond version is going under the hammer at Phillips Auction.

The Elizabeth Gage Archive exhibition in her fantastic showroom in Belgravia last week was fascinating! founded her jewe...
05/05/2026

The Elizabeth Gage Archive exhibition in her fantastic showroom in Belgravia last week was fascinating!

founded her jewellery house in 1964. Her jewels are distinctive and recognisable, bold, sculptural pieces with unusual stones and immaculate craftsmanship; she works with materials often overlooked in fine jewellery, like wood, fossilised wood, ancient coins and labradorite, bringing something unexpected to every piece.

Perhaps her most iconic pieces are the Templar rings, created in the 1970s and inspired by medieval pageantry and the mystique of the Knights Templar. These are strong statement pieces with a deep connection to history, but also easy to wear.

Elizabeth Gage jewellery is for those who love unique pieces with stories and actually wearing their jewels, not keeping them locked away.

Photos don't do justice to gemstones, especially emeralds. But here you get the idea of the hypnotic and vivid colour of...
01/05/2026

Photos don't do justice to gemstones, especially emeralds. But here you get the idea of the hypnotic and vivid colour of these emeralds.

A strand of carved emeralds with the clasp set with circular-cut rubies, sapphires, emeralds and diamonds holds you captive. By Cartier, circa 1940s.

Lot 358 at the upcoming Geneva Jewels auction at

Happy Friday everyone! Here is a fantastic Georgian coiled snake brooch, set with old cushion and pear-shaped diamonds. ...
24/04/2026

Happy Friday everyone! Here is a fantastic Georgian coiled snake brooch, set with old cushion and pear-shaped diamonds. The head is an old mine-cut diamond in a closed-back setting with emerald eyes and suspends a pear-shaped diamond drop. Circa 1830. One of the most iconic motifs of the Georgian period.

Sold at

Some of you might remember this rare surviving “it bag” from the 18th century that I spotted at  back in January. And I ...
17/04/2026

Some of you might remember this rare surviving “it bag” from the 18th century that I spotted at back in January.

And I have an update about it! With its delicate fabric and embroidery, this is the kind of piece that requires great care, so it’s wonderful news that it has been acquired from and added to the permanent collection of DIVA Museum in Antwerp 👏🏻

It's that time of the year again: lilacs are blooming. And every time I see one, I think of this iconic lilac brooch by ...
15/04/2026

It's that time of the year again: lilacs are blooming. And every time I see one, I think of this iconic lilac brooch by Mellerio dits Meller.

And what a pleasant surprise it was to see this brooch, which is in a private collection, at "From Function to Fantasy: The Brooch" exhibition at last year!

This extraordinarily realistic brooch won a Prize Medal at the London International Exhibition in 1862. "Broche fleur de lilas" by Mellerio dits Meller, 1862. Enamelled gold and diamonds.

Real lilacs are from my yesterday's walk.

A spectacular necklace from  with a magnificent amber bead (199.99 ct), patinated copper, gold, Spessartine garnet, diam...
14/04/2026

A spectacular necklace from with a magnificent amber bead (199.99 ct), patinated copper, gold, Spessartine garnet, diamonds and a stunning carnelian knitted cord.

This piece is the perfect balance of sophistication, unexpectedness, style, design, materials and craftsmanship.

Damien Hirst is probably the most famous for using taxidermy in his art, but many artists like Iris Schieferstein, Tim N...
13/04/2026

Damien Hirst is probably the most famous for using taxidermy in his art, but many artists like Iris Schieferstein, Tim Noble & Sue Webster and Mark Dion used taxidermy in their work in the 1990s to explore themes such as death, nature and consumerism. In fashion, Alexander McQueen did the same.

Recently I went down the rabbit hole about taxidermy and organic animal materials in jewellery and my starting point was 's fish head brooch from collection. I've been meaning to share this brooch for ages.

Set designer and artist Simon Costin is probably better known in the fashion world rather than the jewellery world, because of his designs for Alexander McQueen. He was set designer for McQueen's catwalk shows for Givenchy. He also collaborated with the fashion designers Roberto Cavalli and Antonio Berardi.

For McQueen's 1992 graduate show, Costin loaned him existing pieces from his own collection, including bird claw pieces and necklaces. He went on to make new work for later shows like Danté (Autumn/Winter 1996–97).

The fish head brooch is from Costin's early work from 1988. The fish used in this brooch is real red bream head, with glass eye, glass beads, gold leaf, resin and paint. I remember reading that early examples of the brooch were eaten by rats before they were fully finished but can’t find the source now.

Not having trained as a jeweller, but having a basic grounding in taxidermy from when he was a child, many of the pieces he made used animal matter: teeth, bones and skin.

CONTINUE READING IN THE COMMENTS ⬇️

Address


Alerts

Be the first to know and let us send you an email when velvet_castle posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to velvet_castle:

  • Want your business to be the top-listed Jewelery/watch Store?

Share