Prince Dimitri jewelry

Prince Dimitri jewelry bespoke and ready to wear jewelry

03/06/2026

Divine paisley earrings in 18K gold, precious Gabon ebony and natural pearls.
I have always been fascinated by Paisley. It is thought to have originated in ancient Greece as the mango, the symbol of fertility. In 328 BC Alexander the Great had conquered Northern India. He had to return back when his armies refused to advance any farther. Some of his men stayed and assimilated with the locals. They had brought with them a lot of decorative art elements from Greece. In 327 BC Alexander the Great Conquered Eastern Iran, where he created Macedonian colonies. Overtime, the cultures of Greece and the Orient blended and thrived as a side effect of Alexander’s empire, becoming part of his legacy and spreading the spirit of Panhellenism.
The paisley pattern as we know it now traces its origins back to Persia and the Sassanid empire around 221 AD and later spread eastward into India, particularly Kashmir.

By the 18th century, Kashmiri shawls were among the most coveted luxury goods in Europe.

In the 19th century, the weavers of the town of Paisley in Renfrewshire in Scotland became the primary producers of paisley fabrics. From its ancient Persian an Indian origins with its hidden messages and mysterious symbolism, the iconic motif has had quite a journey. The paisley pattern has traveled the silk road from east to west, adorned the bandannas of cowboys and bikers, been adopted by the 19 century BoHo set, popularized by the Beatles, ushered in the hippie era and became an emblem of rock ‘n’ roll swagger and swank. The Scottish city of Paisley, whose textiles history is intertwined with the famous print, bid to be UK city of culture for 2021. The history of the Paisley is the perfect illustration of how cultures mix and evolves thanks to artists.

02/06/2026

Once upon a time, there were a few forgotten treasures: a pair of pink tourmaline earrings missing their tops, two oval pink tourmalines without a home, and a heart-shaped amethyst waiting to be recut.

Their owner entrusted them to me, hoping they might find a second life.

The amethyst was recut, the stones were strung on a leather cord, and between them I placed six medieval-style Damascus steel crosses, each with a glowing moonstone at its heart.

What had once been several unrelated jewels became a single story.

And, as sometimes happens with pieces created from love and memory, it became her favorite necklace.

31/05/2026

24k gold, platinum and diamond divine stackable rings with ringlets dancing on your fingers all day long. Chic, glamorous, fun.

31/05/2026

24K gold, platinum and diamond stackable rings with ringlets that dance on your fingers

26/04/2026

Once upon a time there was a coarsely made cross of brown diamonds in every shades and shapes. It was much disliked so it got left for many years in that sad draw where the days are second nights…
It was then brought to me and I transformed it into a pair of paisley earrings in soft satin finish gold where the diamonds now sparkle with a thousand lights. . .

20/04/2026

A friend of mine had this lovely little Egyptian scarab, probably more than 2000 years old. We were wondering what to do with it…then in January I did this fabulous trip to Egypt and I got the idea of having it mounted with lovely smiling cobras similar to the one I saw in the treasure of Tuthankamon (photo 3)
A simple pendant but with a very strong personality .

25/03/2026

La traviata at the Met last night felt like slipping into a dream of 19th‑century Paris: chandeliers blazing, velvet darkness, and that electric silence before the first note. Behind Violetta’s glittering façade, I kept thinking of the real woman who inspired her—Marie Duplessis, born Rose Alphonsine Plessis—transformed by Dumas into Marguerite Gautier, then by Verdi into Violetta Valéry, a courtesan who buys love at the highest possible price.
Until the very end she believes she has been truly reunited with Alfredo, clinging to a fragile hope of happiness, only to collapse slowly and “breathe her soul back to God in the dark tones of a D‑flat minor.

21/03/2026

My book ONCE UPON A DIAMOND by Rizzoli still doing great on AMAZON

My great grandparents Prince Nicholas of Greece and Grand Duchess Helene  of Russia. They were both first cousins of Tsa...
07/03/2026

My great grandparents Prince Nicholas of Greece and Grand Duchess Helene of Russia.
They were both first cousins of Tsar Nicholas and very close friends. The tsar was known as Russian Nicky and he was known as Greek Nicky. He had a legendary sense of humour, he was kind and had an encyclopedic knowledge of the arts and literature. He was also a good painter and after WW1 when in exile in Paris for a while he managed to earn a good living by selling his paintings.
In his memoirs he wrote “ we were married on the 29th of August in the church forming part of the big palace of Tsarskoye Selo. The interior of this church was all dark blue and gold, arranged by Empress Catherine in the luxurious taste of her epoch. This time, instead of being a mere spectator, I was now not only one of the chief actors, but the proud winner of a lovely bride who had won herself a place in all hearts by her sweet nature and unselfishness.” They had three daughters who were known as the three most beautiful princess in Europe at the time.
In the 1917 Russian revolution they lost more than 20 of their relatives who were brutally murdered by the Bolsheviks.
There were two revolutions in Greece, in 1917 and 1922, so they left twice and were finally able to return in 1936.
In 1938 Prince Nicholas died of a heart attack and his wife lived until 1957 dedicating her life to charity all throughout the war.
I Once asked my grandmother (third photo) “how was your mother? Can you tell me about her?” She looked at me with her soft kind gaze, tearing up and said “she was an angel”

27/02/2026

My great‑grandmother, Queen Elena of Italy, tried to stop the world from going up in flames.
In late 1939, as war had just broken out, she secretly wrote to six royal women in still‑neutral Europe, Queen Wilhelmina of the Netherlands, Queen Alexandrine of Denmark, Grand Duchess Charlotte of Luxembourg, Queen Elisabeth of Belgium, Queen Ioanna of Bulgaria (her own daughter), and Queen Maria of Yugoslavia—asking them to unite in a women’s appeal for peace, invoking not politics but conscience, motherhood, and the duty to defend civilization itself. She even recalled the historic “Ladies’ Peace” of 1529—when two royal women, Margaret of Austria and Louise of Savoy, personally negotiated an end to a brutal conflict—as a precedent for what queens and mothers could still dare to do.
Her letter was part of a life defined not only by rank but by service. My great‑grandmother was twice awarded the Vatican’s highest distinction, the Golden Rose, in recognition of her countless acts of charity and mercy toward the poor, the wounded, and the displaced. Today, a formal procedure for her beatification is underway in the Vatican, reflecting how many people remember her not only as a queen, but as a woman of profound faith and compassion.
Nothing concrete came of her 1939 appeal—no diplomatic breakthrough, no joint royal initiative that could divert the course of the war. Yet this forgotten episode reveals a queen who, even within the constraints of her time and regime, tried to mobilize a transnational sisterhood of queens and mothers against the logic of war.

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