Huan's

09/10/2026

🖤你以為的黑，其實藏著千萬種顏色。

自然界中並不存在真正純黑色的花朵，因為植物色素在生理結構上很難合成出真正的黑色素。我們肉眼所看到的「黑」，其實是極深的深紅或深紫色。在製作這件作品的過程中，我也是依循這樣的色調邏輯去染色——因為黑，其實是由許多顏色層層疊加而產生的結果。大學時候的油畫老師說：把黑色收起來，因為可以用其他顏色混出更漂亮的黑，那段學習經驗讓我對色彩有了更深刻的體悟與認識。

在一般花店裡，也很少能看見黑色花朵的蹤影——供應鏈本身稀少，市場也偏小眾。但這正是黑色的魅力所在：用低調隱藏鋒芒，卻反而更凸顯出它的氣質與稀有。

What you think of as black actually holds a thousand hidden colors.

True black doesn‘t exist in nature — plant pigments simply aren’t built to produce it. What our eyes perceive as ”black“ is really an extremely deep shade of red or purple. In creating this piece, I followed that same logic in my dyeing process, because black is really the result of many colors layered on top of one another. My oil painting professor once told me: put the black tube away — you can mix a far more beautiful black from other colors. That lesson left a lasting mark on how I understand and approach color to this day.

Black flowers are rare even in flower shops — the supply is scarce and the demand niche. But that‘s exactly where its charm lies: black hides its edge in quiet restraint, yet somehow that only makes its character and rarity stand out even more.

08/26/2026

剛開始做作品時，滿腦子只裝得下技法，現在多了一點餘裕，能把情感也一併放進去。裁下一片片皮革，再層層堆疊起來——這個動作，像極了看似單調的生活日常。如此平凡的重複，卻讓情感一點一滴累積，沉澱成厚實的基底。

換個微觀的角度看，龜甲龍表皮龜裂的紋路，竟也像大自然裡被流水切鑿而成的山脈地貌，彷彿歷經萬年時間的洗禮，才留下這樣的樣貌與印記。

葉子從緩慢生長的塊根中快速冒出新芽，快與慢的對比，讓這株植物顯得獨特，又帶點違和的美感。

而看似乾涸的地表也總能長出濃郁的生命。

Once, my mind only had room for technique. Now there’s a little more space—for feeling too.

Cutting leather piece by piece, layering it again and again—this quiet, repetitive act mirrors everyday life. In its ordinariness, emotion slowly builds into something solid.

Zoom in, and the cracks on a turtle-back yam‘s caudex look like mountains carved by flowing water—marks left behind after ten thousand years.

Its leaves sprout fast from a caudex that grows so slowly, a strange, striking contrast of speed and stillness.

And even the driest ground can still grow something lush.




#龜甲龍

08/20/2026

站在豬籠草上

國小的時候第一次看到豬籠草，是在朋友家的陽台，懸吊著一顆一顆圓鼓鼓的小瓶子。當時只覺得又酷又新奇，很想知道它到底是怎麼捕食昆蟲的，結果只看到瓶子裡躺著一堆昆蟲的屍體。

豬籠草生長在貧瘠的土壤裡，為了取得氮、磷等必要元素，才演化出用捕食昆蟲來補充養分的方式。

長大後再次聽到這個故事，突然覺得人生也像豬籠草的演化過程。我們出生在世界的哪個角落、在什麼樣的環境長大，其實都不是自己能選擇的。我們總以為資源豐富的地方最好，但也許正是這樣的環境，容易讓人變得普通而平庸。

資源不足的地方，反而有它的好處——在有限的條件裡，人會被逼著找出更好的解決方法,也因此在過程中長出不一樣的樣貌，就像豬籠草一樣，活出與眾不同的姿態。

而葉子上的那些小菇，也正站在懸崖的邊緣，或許，他們也想放手一搏。

The first time I saw a pitcher plant was in elementary school, on a friend’s balcony. Round little pouches hung down like tiny bottles. I thought it looked so cool and strange, and I really wanted to see how it caught insects. But all I found inside were dead bugs.

Pitcher plants grow in poor soil. To get nutrients like nitrogen and phosphorus, they evolved to catch insects instead.

When I heard this story again as an adult, it made me think life is a lot like the pitcher plant’s evolution. We don’t choose where in the world we’re born, or what kind of environment we grow up in. We often think a place full of resources is best — but maybe that’s exactly what makes people ordinary.

There’s also something good about growing up with less. Limited resources push you to find better solutions, and through that process, you shape yourself into something different — just like the pitcher plant became something unique.

And the little mushrooms on its leaves are standing at the edge too. Maybe they’re ready to take the leap.

08/12/2026

你相信話語也有魔法嗎？💫

在致敬事件公佈出來之前，我的內心其實承受著很大的壓力。從小我就習慣把別人說的話聽進心裡，尤其是當自己內心慌張、無法做決定的時候，我像個無頭蒼蠅一樣，感覺每一句話都快要把自己逼瘋。這就是人在脆弱的時候——像一隻沒有殼的蝸牛，格外容易受傷。

但這段路上，也承接了許多溫暖。有時候那些話語就像帶著魔法一樣，在黑暗中為脆弱的自己點亮一道光。順著那道光，我好像慢慢找回了碎裂的自己，一片一片，拼湊回原本的樣子。

這就是這件作品誕生的原因——張牙舞爪的情緒，千瘡百孔的葉片，像球體般不斷旋轉、攪動的內心。我想，這世界上永遠都會有人，願意用魔法為你的生命點一盞燈。有時候，哪怕只是一點點溫暖，都能無比強大。

Do you believe words can carry magic?
Before the tribute incident went public, I was carrying a lot of pressure inside. Ever since I was a child, I’ve had a habit of taking other people‘s words deeply to heart — especially when I felt anxious and unable to make decisions, I’d feel like a headless fly, as if every single word could push me over the edge. That‘s what it’s like to be vulnerable — like a snail without a shell, especially easy to hurt.
But along this journey, I also received so much warmth. Sometimes those words felt like magic — lighting up a path in the darkness when I was at my most fragile. Following that light, I slowly found my way back to my broken pieces, gathering them one by one, putting myself back together again.
That‘s how this piece was born — emotions bared like claws, leaves worn thin with countless wounds, feelings swirling and churning like a sphere in constant motion. I believe there will always be someone willing to light up your life with a little magic of their own. Sometimes, even the smallest bit of warmth can be incredibly powerful.

08/06/2026

在春夏之際路上充滿罌粟花的蹤影，各種罌粟有著截然不同的氣勢與姿態，創作作品的好處就是可以不受限制的做出腦中覺得美麗的樣子。

在溫哥華大家總會說夏天就是玩好玩滿的季節，因為是一年之中天氣最好的時候，在這邊待滿一年的我也有相同的感覺：秋天到隔年春天都是多雨的日子，天色暗的很早，更適合待在家裡做事，所以這個暑假也告訴自己，趁著好天氣就是要好好探索探索，剩下的努力就交給雨天吧😚

Spring into summer, poppies are everywhere on the streets — each variety with its own striking presence. That’s the beauty of creating: no limits, just bringing to life what feels beautiful in my head.

In Vancouver, summer is the season to make the most of — it’s when the weather shines. After a year here, I get it too: fall through spring is rainy with early sunsets, perfect for staying in and getting things done. So this summer, I’m telling myself to get out and explore while the sun’s out — the rainy days can handle the rest of the work 😚

#罌粟花

08/04/2026

Huan’s |緩室 收到客人的五顆星滿分評價
「商品真的很美 放在家裡看到心情就很好 非常適合送禮！」

來訂製屬於自己的觀葉相框吧！有100種觀葉可以做選擇，送禮或蒐藏都是很棒的選擇～

07/29/2026

黑與白

前陣子接到一個訂製，客人喜歡黑與白對比的花朵。也因為這樣，我也為自己做了一組黑白火鶴。這次在處理火鶴表面凹凸時 ，想到以前做過的奢華火鶴，只是這次呈現的是凹面的效果。
雖然黑與白看起來很純粹，但仔細看，黑其實不是純粹的黑，白也不是純粹的白。總覺得很多人一生都在追求極致，但其實大多數的我們，也就是在灰色地帶遊走，而且或許灰色更好——平凡的日子，才最平靜舒服。

Black & White
A while ago, I received a custom order — the client loved flowers in black and white contrast. That inspired me to make a black and white anthurium set for myself. While shaping the surface texture this time, I thought back to a luxurious anthurium I made before, but this time I explored the concave version instead.
Black and white may look pure at first glance, but if you look closely, black isn’t truly black, and white isn’t truly white either. I think many of us spend our lives chasing perfection, but most of the time, we’re really just wandering in the grey areas — and maybe grey is better. Simple, ordinary days are the most peaceful.

07/22/2026

Container Gardens

在溫哥華每天都值得在動態分享植物，常常會有人私訊跟我說，溫帶的花真的好不一樣，在春天到夏天都可以看到炸出來的花朵，不管是懸吊在高處的花籃，還是在路邊的大木桶裡面，都可以欣賞到色彩繽紛的花卉。

這樣的裝飾，原來是為了在都市內有限的空間中，也能在花盆裡展現花園的層次感，像是把花園縮小放在一個容器中，有高度的植物可以撐起主視覺，蔓延出來的藤蔓或花朵也會突破框架，一起展現生意盎然的模樣。

然後，我真的很想說：謝謝每天與我一起分享生活的網友們，謝謝你們一路陪伴～與我一起成長！就像一段彼此有距離但又很靠近的微妙關係，有你們真好🧡

Friends who share plant stories in Vancouver often tell me how different temperate flowers are. From spring to summer, you see blooms bursting everywhere—whether in high-hanging baskets or large wooden barrels along the streets, all showcasing vibrant, colorful blossoms.
As it turns out, these displays are designed to bring the layered beauty of a garden into limited urban spaces. It‘s like shrinking a whole garden into a single container: taller plants create the focal point, while spilling vines and flowers break free from the frame, bringing the entire arrangement to life.

07/08/2026

Himalayan Blue Poppy ｜藍色喜馬拉雅罌粟花 ⠀

這是為一個四年來，像夢魘般不斷跟隨著我的人，所創作成的作品。 ⠀

透過脆看網友們的聲音：https://www.threads.com//post/DahIgrsDm3A?xmt=AQG0Vsi-wCudLnumxewQnOiUFmqqXjUxK3iWRoYzXtd2_rGDW2OIRO6XErVuUnhHVSMHevQP&slof=1

這段期間，我不斷想擺脫她，但她卻每一步都緊緊跟著，就像會發出腐味的植物一般將我的內心綑綁。我曾經懷疑，如果自己放棄了創作，是不是就能重獲自由？ ⠀

但內心與身邊的朋友都告訴我：我必須勇敢面對。因為做錯事的人並不是我，而是那個靠吸取別人能量度日的人。 ⠀

我就像植物一樣，奮力地鑽出她那腐肉般的軀殼。 ⠀

藍罌粟會默默地在寒冷黑暗的土裡積蓄能量長達三到五年，這期間它只長葉、不開花。直到續滿能量的那一刻，在極寒中奮力綻放——這就像我這四年來的壓抑與隱忍。 ⠀

最近看《鐵拳教育》，裡面有一段話打動著我：如果需要幫忙，我就必須把話說出來！而我不只要說出來，更要透過我的創作，將這種深刻的感受赤裸地傳達。我知道，有很多人都跟我一樣，曾經或正在遭受相似的境遇。 ⠀

我想用這件作品告訴大家： 創作，始終是留給真心熱愛藝術的人。

07/01/2026

家的記憶

在我的生活記憶裡，野薑花大概是與台灣連結最深的一種花。尤其是那股清香，有時光是看著、想著，嗅覺的記憶就會悄悄甦醒，把思緒帶回遙遠的家鄉。過去在路邊看到它，總會忍不住走過去，深深聞一下那熟悉的香味。

來到加拿大轉眼就要滿一年了。或許因為住在華人區，平日裡我們的餐桌上依然充斥著熟悉的台灣味，週末也總習慣用亞洲食物來慰勞自己。這種與生長背景相連的飲食習慣，確實不是輕易能夠抹去的——就像隨著年紀增長，舌尖卻還是頑固地想念著，當年奶奶做飯時的那種味道。

萬物變化皆有其道理。植物會隨著各地的氣候與土壤，調整自己生長的形態；而人也是如此，在異鄉的風土與歲月裡，我們一邊固守著舊有的根，一邊在新的環境中展現韌性，漸漸適應、漸漸轉化，最終也變成了更豐富、不一樣的個體。

In my memories, the white ginger lily is perhaps the flower that connects me most deeply to Taiwan. Especially its fragrance—sometimes just looking at pictures or thinking about it quietly awakens my olfactory memory, carrying my thoughts back to my distant home. Whenever I passed by it on the roadside in the past, I could never resist stepping closer just to take a deep breath of that familiar scent.
In the blink of an eye, it has been nearly a year since I moved to Canada. Perhaps because we live in a Chinese community, our weekday table is still filled with the familiar tastes of Taiwan, and on weekends, we always comfort ourselves with Asian food. These eating habits, so deeply intertwined with our upbringing, are not easily erased—just as we grow older, our palates still stubbornly yearn for the flavors of the meals Grandma used to cook.
Every change in nature happens for a reason. Plants adjust their form of growth according to the local climate and soil, and people are no different. Amidst the foreign landscape and the passage of time, we hold fast to our old roots while showing resilience in a new environment—gradually adapting, gradually transforming, and eventually becoming a richer, different individual.